SKYFALL is the Worst James Bond Movie in a Long, Long Time — and Here’s Why…

Bond Fire

SKYFALL has had a weird, strange ride. Now, it’s considered one of the best Bond films ever, revolutionizing the character and the way we think about the series. I’m here to tell you that these people wrong — I’m glad that they are excited about James Bond, but under SKYFALL’s polish and sheen lies one of the stupidest Bond movies since the Pierce Brosnan era.  If you want to know why, skip down to the spoilers section.

The James Bond series was creatively flailing in the early 2000’s. The Pierce Brosnan-starring franchise had just released DIE ANOTHER DAY, a movie that featured a cameo and theme song by Madonna, a Korean man that undergoes genetic reconstruction therapy to appear caucasian and assume another life, and more giant satellites that can shoot lasers. Even though DIE ANOTHER DAY was the highest grossing Bond film of all time, it was ridiculous. The movie was almost a self-aware parody of all the things that Bond had notoriously become since the Roger Moore days in the 1980’s: unrealistic technology that functions as magic, women throwing themselves at Bond, groan inducing puns and innuendos, and the tortured, theatrical villain. Even Roger Moore had this to say: “I thought it just went too far – and that’s from me, the first Bond in space! Invisible cars and dodgy CGI footage? Please!”

It was time to start over. It was time to bring James Bond back to his roots: no more otherworldly gadgets, no more zany special effects, no more theatrical villains. James Bond was coming back to Earth after spending two decades in Hollywood, so to speak. CASINO ROYALE presented a “reboot” of the series. The movie stripped Bond down to his basics, and he had to use his wits and muscle to overcome his obstacles, not a watch that could shoot lasers out of it. The film succeeded: it was a hit with audiences and critics alike. No longer was James Bond just a guilty pleasure, he was downright cool. For as different as CASINO ROYALE was, it featured the director of GOLDENEYE and the writers of DIE ANOTHER DAY and THE WORLD IS NOT ENOUGH. The franchise was using the same people, but the results were very, very different.

The follow up, QUANTUM OF SOLACE, was directed by Marc Forster. By adding Forster to the helm of the movie, the landscape of James Bond may now be forever changed. Forster was the first dramatic director to be brought on board to direct on a Bond movie. After directing a series of hits (Monster’s BallFinding Neverland, and Stranger than Fiction), Forster was an in-demand director.  Instead of picking up any other dramatic vehicle for his next movie, he chose Bond — a franchise normally known for its action.  Quantum of Solace did well at the box-office, but it was somewhat of a disaster.  Meant to be a direct continuation of the storyline (and tone) that began in Casino Royale, production on the movie began right as the writer’s strike started up proper.  The crew was left without a writer, so what could they do?  Could they just make up stuff on the spot and try to wing it?  Probably not, that would be a terrible idea — but that’s what they did anyways.

Although Quantum of Solace was a hit at the box office (for the first few weeks), it killed a lot of the excitement that Casino Royale commanded.  James Bond’s momentum was stalled, and making matters worse, production company MGM fell on hard times.  With MGM bankrupt, plans for what was called “Bond 23” were put on an indefinite hold.  After a few months, Bond 23‘s production restarted when MGM was pulled out of their financial woes, but this time, the director at the helm of the movie was Sam Mendes.  Mendes, like Forster, was a dramatic director.  In fact, Sam Mendes’ career as a filmmaker was heavily influenced by his stint in theater — his movies are characterized by character-based tension, melodrama, and theatricality.  These elements sounds like they would make a great Bond film, right?  The internet rebelled at the idea that Mendes, the director of American Beauty, Away We Go,  and Revolutionary Road would directing the next Bond film*.  To some degree it makes sense — if this new revamped Bond franchise is a response to the Die Another Day-era movies, why not pick up an Oscar winning drama director instead of the guy that directed xXx: State of the Union, and Nic Cage’s Next?

Bond Silva

Any qualms that the internet/fans had about Mendes were squashed upon the release of the trailer for Skyfall.  The initial teaser trailer shows a burned out Bond being given a word-association test and a sampling of some of Roger Deakins fantastic cinematography set to heavy percussion.  It’s hard not to get excited by the trailer, and it reinvigorated people’s hopes that there would be another Casino Royale-esque movie after Quantum of Solace.  Adding to the excitement was rumors of Javier Bardem’s turn as a villain, a theme song by Adele, and more fantastic previews.  When the movie was released, it seems that we had all been wrong: Sam Mendes directed one of the best Bond films of all time.  The movie was dramatic, introspective, and suspenseful.  It looked great, it sounded great, and all of the actors/actresses are great in it.  Audiences and critics loved Skufall, and many championed the movie as a turning point for a new era of the Bond franchise.

I’m here to say that all of these people are wrong.  Skyfall is not only a bad Bond film, but it’s one of the most overhyped movies of 2012/2013.  Skyfall‘s flaws can be divided into two distinct category: tone and plot.

Spoilers for Skyfall below.  Read at your own peril!

Tone:
It is established early on in Skyfall that this is going to be a dramatic, suspenseful, serious movie.  It also aims to capture the same realism that made Casino Royale so promising: Bond was a flawed character, and he was capable of making mistakes.  However, the movie is woefully inconsistent with how it treats its serious tone.  For example, early in the movie, Bond rips the back off of a train car, and he runs and jumps inside the moving car as the entire back is sheared off, barely making it, of course.  What does he immediately do?  He adjusts his cufflinks.  Sure, this looks really cool in action, but is it realistic?  No.  Is it something we would expect from Daniel Craig’s portrayal of Bond?  No.  The Bond that Skyfall thinks it is portraying is a serious, headstrong guy that uses his wits and muscle to overcome.  Adjusting his cufflinks after narrowly pulling off a stunt like that belongs in the Roger Moore canon, at best.  Also, Bond springboards off the back of an angry Komodo dragon in a later escapade.  You read that right.

Bond Train

Javier Bardem’s portrayal of the rogue agent/villain/mastermind/hacker is fun to watch, but it sinks back into the pre-Casino Royale theatricality of Bond villains.  When Austin Powers lampooned diabolically over-the-top villains, it was a send-up of characters like Bardem’s Silva.  Audiences have praised Bardem’s portrayal for the slight-homosexual tendencies he displays around Bond.  That’s something we’ve never seen, right?  Comedian James Adomian has an 8-minute long bit about ridiculous gay villains in movies.  It’s something that we’ve seen before.  Over and over again.  All that Silva is missing is a fluffy cat to stroke while he chews scenery and spouts out his plans.  (http://www.thecomedybureau.com/post/5223651050/jamesadomian-my-gay-villains-bit-live-at).  Additionally, Silva’s plan is, at best, completely convoluted.  When looking at his plans as a whole, the lengths that Silva goes through strains any credulity for a James Bond villain.  Now, Bond villains are often ridiculous (see Christophen Walken in A View to a Kill), but this movie is supposed to be serious and realistic, right?  (see below for specifics on Silva’s plot).  Of course, all of this can be substituted with the following words: he owns a secret, island headquarters.

Other times, the film isn’t as clever or surprising as it believes it is.  For example, the Bond franchise callbacks are completely groan-worthy.  When Bond’s quartermaster says “Call me Q,” it feels as if everyone in the cast has stopped what they’re doing, turned towards the audience, and gave a wink.  Even more, when Q cracks a joke that he can’t offer anything as technologically zany as an “exploding pen”, he’s making a callback to past film Goldeneye.  Again, it feels as if everyone stops and gives a giant wink.  You see — you, the audience — you get the joke!  It’s self-aware, and isn’t that funny?  Later in the movie when Moneypenny and (the new) M are introduced, it’s a similar feeling.  The movie feels way too proud of itself for drawing these connections back to the old Bond franchise.  These moments intentionally take the audience out of the narrative.

Plot:
Skyfall is completely and utterly filled with plot holes.  Silva is a mastermind that can apparently do everything.  He’s a smooth talker and a master of: espionage, counter-intelligence, weaponry, technology, information system, game theory.  He’s also very athletic for someone who swallowed a cyanide pill (destroying his inner intestinal tract).  Silva is a man of simple needs though, all he wants to do is kill M.  Should be easy enough for a certified genius, right?

Here’s his plan: steal a list of all the undercover secret agents in Europe/Asian (because there is a complete list out there on one device) so that M will come under heavy scrutiny and lose her job.  As this happens, he will blow up her office.  Not to kill her, of course (which is his master plan), but to shake her up and move MI-6 underground into the sewers.  Silva knew this would happen — he knew that in an emergency, M would retreat underground to the sewers even though he’s been off the coast of Shanghai, China for, I don’t know, years and years now.  Doing this drastic measure would mean that MI-6 would try to stop him from continuing to blow stuff up and reveal all of the undercover spies’ identities that he stole.  Silva doesn’t release all the names at once though, of course — this is never quite understood why, but I’m sure he has a reason because he is a genius.

Bond Shanghai

Bond comes out of retirement, goes to Shanghai, kills people, falls in love, springboards off the back of a komodo dragon, and picks up the trail to this mysterious asshole that is causing so much trouble in England.  Turns out Silva planned on Bond picking up the trail and finding him.  He planned on it, and on Bond to come with some kind of tracking device so that MI-6 would rescue Bond/capture Silva.  The folks at MI-6 would obviously bring Silva right to M rather than torture the shit out of him or kill him.  Turns out, this was all a really complicated way for Silva to see M again.  He wanted to see her and speak with her one last time before he killed her.  I’m sure what he had to say was important, otherwise he would have blown up her office when he (somehow) had it rigged with explosives.

But!  Back to the point: Silva wanted to be captured.  But!  He also knew that by blowing up M’s office, he would be housed underground in the sewers.  Good thing, because the sewers are nicely connected to the subway systems too.  How does he get out of British-spy-jail, anyways?  He has some kind of device that is super, ultra, hacker-elite encrypted.  Luckily Q can figure out the encryption process, because it sets off some magic signal that allows Silva to escape through the sewers.  Bond, being the steadfast agent that he is, gives pursuit to Silva, who plans to attack a court hearing with his men — I’m not sure how Silva was able to time all this out (because it depends on Q decrypting his algorithm on the right day, at the right hour.  Oh, right, he’s a mastermind.

So, anyways, Bond is giving chase to Silva, and he almost catches up to him.  Luckily, Silva is clever, and he changes into the uniform of a policeman, and with Bond off the trail, he picks the nearest door to escape to.  Bond, realizes the door wasn’t properly shut, walks through the door, finding Silva climbing up a ladder.  However, Silva planned on Bond to almost lose his scent, only to actually find the right door that he escaped through in a crowded subway platform.  How do we know?  He had explosives set.  Keep in mind, for him to set explosives, this would all have to be done before Silva even escaped British-spy-jail, so he knew that Bond (or someone) would give him chase all the way to this point (even though it looked like Silva fortuitously chose that door because he had the chance).  Silva detonates the explosives, but nothing seems to happen — UNTIL we realize that he perfectly timed all of this to coincide with a subway train’s path, hurtling directly towards the gaping hole now in the wall.  For Silva’s escape, he planned on the subway train to be coming along this path — he even planned his monologue around it.

Silva

The lengths that Silva goes through to do all this is mindboggling.  In the moment, all of this feels right — it doesn’t feel ridiculous until looking at it in hindsight.  The disgraced agent Silva may be some kind of super genius mastermind, able to plot ahead months in advance, down to the subway’s scheduling, but he’s not practical.  If he wanted to get rid of M, he had the explosives set up in her office.  If he wanted to get rid of M after he spoke to her, he could have set up his encrypted device to contain an explosive.  It’s all needlessly convoluted, and it’s characteristic of something Dr. Evil would do.  This is the villain of Die Another Day who undergoes genetic reconstruction treatment to become a caucasian military officer so that he can get his hands of a laser-blasting satellite and take out the Korean DMZ.  This is not the villain of the “realistic” Bond franchise.

Aside from Raoul Silva, criminal and deranged mastermind, there are few weird things going on with James Bond himself.  He dies within the first 15 minutes of the movie.  He’s shot with a high caliber rifle in the chest, he plummets, 100+ feet into a deep river, and he sinks straight to the bottom.  After the audience is distracted by Adele’s rendition of the theme song, we seem Bond hanging out in… Cuba?… drinking a lot and soaking up the sun.  There’s no explanation of what happens in the interim, how he was brought back to life (surely no one/thing could survive that event), or how he ends up wherever it is here is.  Additionally, Bond’s trip to Shanghai and subsequent love interest add almost nothing to the movie (other than some gorgeous back drops) or narrative.   Apparently it wouldn’t be a Bond movie without a woman (or two, I see what you’re up to Moneypenny) falling in love with him.

Bond Girl

Conclusion:
I don’t mean to say that Skyfall is a downright terrible movie, but it’s a dumb one that is dressed up in smart clothes.  The movie was written by Neal Purvis and Robert Wade, who have written previous Bond movies, so it makes sense to some degree that the movie would feel like one of the Pierce Brosnan-era films.  Roger Deakins’ cinematography is really excellent, and with the exception of a few scenes, he makes Skyfall one of the best looking movies of the year.  There are cool action scenes, some suspenseful moments, some cool character development — just don’t think about it for too long.

*Mendes also directed Road to Perdition, an excellent and overlooked movie that does have a few action beats.  I didn’t include that in the paragraph, because hey, I’m trying to make a point here, right?

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17 thoughts on “SKYFALL is the Worst James Bond Movie in a Long, Long Time — and Here’s Why…

  1. Pete says:

    I couldn’t agree more, you got that completely right, however there’s more that I’d like to add. I hated the fact that Money-penny is now Rambo. We’ve lost the fantastic Q Vs Bond dynamic who has now been replaced by a adolescent nerd. Bond is no longer smooth, sophisticated or a connoisseur. Bond would never refer to Turners “Fighting Temeraire” as “just a big boat” But worst of all, which almost made me end watching the film there and then was when the “bond girl” was tied to the rock and bond was forced to shoot at the glass on her head. Earlier bond had assured her that he’d protect her, only to let her die BEFORE disarming the gun men and calling for his helicopter back-up! Then he says “waste of good scotch”! Really! That scene was so bad on so many different levels that I will never watch Skyfall again! It is the worst film ever made, ever! Only pop corn munching dumb masses will like this film. Anyway, great article, glad some one else thinks as I do. 🙂

  2. bobo says:

    Worst Bond movies ever:
    1. Die Another Day
    2. Tomorrow never dies
    3. The World is not Enough
    4. Quantum of Solace
    5. Skyfall

  3. CasinoRoyaleFan says:

    Yeah, so spot on, both the article and the first comment.
    I’ve had this vague impression this Bond really failed to deliver, than watched Casino Royale and liked it again, tried a repeat of Skyfall and just gave up losing interest once he was in Shanghai and the supposed plot starts.
    Reading this now – it is a scene by scene dissection of why the movie felt so wrong, and a very well balanced one at that – it really is a dumb movie dressed in smart clothes (those clothes leaving me to wonder if it was me or the movie that was off – but it was dumb in so many ways).
    Thanks Alex for pointing all of this out so well!

  4. mehjbmeh says:

    Bingo.

    Especially the Escape. Man I hate that escape scene.

  5. jnadobnik says:

    Don’t forget about the coint. If he would not find the coint. This whole movie wouldn’t have happened.
    And!
    Why did they go to Skyfall? What did Skyfall to do with everything? MI6 has the whole counter intelligence on their side. Also in Glencoe, Scotland….
    And!
    Why needing bread crumbs to Scotland? They were going there anyway, right?? So what’s the point of that.

    Spectre will be a disaster too…. :((((

  6. Ian Furber says:

    I fully agree. Worse Bond movie ever, turning Ian Fleming’s great creation into a dragged out third rate spaghetti western. Like sewage in a river it has passed under the bridge and hopefully will never return. I used to be a 007 fan but after Skyfall or should I say “Skycrap”, No More!

  7. Eric.Houston says:

    Ik this is a late entry but I absolutely agree .every time I watch this movie my head starts hurting.Casino was. Classic.I’d say Quantum is better than #SKYFALL to me because of the action and the instant continuation of bond learning his lessons .he’s vulnerable and lovable and more aggressive.they were both agressive bond films unlike so skyfall which is out of place .unbelievable stunts and a bond villian that was a little on the fruity side .which you know is something that you just don’t do.in a bond film.the tone is all messed up its not serious its a adventurous james bond which doesn’t fit Craig’s bond in any way possible.however the film did accomplish this.it bought in the old male m moving out Judi dench in a moving and touching way.in the beginning after the theme where bond shows up in m’s house and says that’s it were both played out.kinda have that casino and quantum flashback which shows they’ve been through a lot together.the imagery was great the Macuai (i know I spelled that wrong)visit was great along with the dialong like you said.the theme was good.but not as fresh as Chris Cornell’s you know my name. Or revenge filled and adrenaline pumping like Jack white and Alicia keys another way to die.overall this movie was cold.emotionless most of the time except for m’s death.to many plot holes and too campy and light for Daniel Craig.i hope and pray SPECTRE will give me some of the old casino /quantum feel I always loved.

  8. Eric.Houston says:

    Ik this is a late entry but I absolutely agree .every time I watch this movie my head starts hurting.Casino was. Classic.I’d say Quantum is better than #SKYFALL to me because of the action and the instant continuation of bond learning his lessons .he’s vulnerable and lovable and more aggressive.they were both agressive bond films unlike skyfall which is out of place .unbelievable stunts and a bond villian that was a little on the fruity side .which you know is something that you just don’t do.in a bond film.the tone is all messed up its not serious its a adventurous james bond which doesn’t fit Craig’s bond in any way possible.however the film did accomplish this.it bought in the old male m moving out Judi dench in a moving and touching way.in the beginning after the theme where bond shows up in m’s house and says that’s it were both played out.kinda gave that casino and quantum flashback which shows they’ve been through a lot together.the imagery was great the Macuai (i know I spelled that wrong)visit was great along with the dialong like you said.the theme was good.but not as fresh as Chris Cornell’s you know my name. Or revenge filled and adrenaline pumping like Jack white and Alicia keys another way to die.overall this movie was cold.emotionless most of the time except for m’s death.to many plot holes and too campy and light for Daniel Craig.i hope and pray SPECTRE will give me some of the old casino /quantum feel I always loved.

  9. ragingglory says:

    Absolutely, this is a terrible film, perhaps the worst in the last 20 years.

  10. Andy says:

    Most thing I hate about this movies is the fact that the makers claim that the franchise will be coming back to “past strenght” and they try their best to reshape everything that they beforehand intentionally destroyed with the “reboot”. And then… Bond runs back to his childhood room and patiently waits untill the villains come to him… that is more the behaviour of a weenie and has nothing to to with Mr. James Bond!
    Is it really so hard to stick to the formula that made this whole franchise outstanding and well loved? Bond has always been larger than life… no need to reinvent him as a cheap plagiate of his own plagiates (Jason Bourne, XXX, Ethan Hunt and the like…).
    Terrible, ridiculous and embarrassing movie!

  11. Bill says:

    I hadn’t seen Skyfall until just recently (tonight, in fact). It is so horrendously bad that I had to check to see if I was missing the point about something. When I saw that various accolades that it had earned, I couldn’t believe it although I did note that they were primarily score, sound and song related – fair enough.

    I can’t count the number of times I found myself shouting “just shoot him” at the screen. Silva taunts Bond about how bad his marksmanship is but, quite frankly, I find myself in complete agreement. Bond reminds me of a storm trooper from Star Wars – can’t hit anything that really matters. He has the bad guy dead to rights repeatedly but is unable to even knee cap him to stop him from running.

    The whole scene where Q hooks up the laptop to the MI6 network immediately struck me as a bad idea. Then Q has the audacity to remark “there goes my promising career” – yeah like someone who would pull that kind of bonehead move deserves any continuing role in the security field.

    Granted, there are fabulous visual effects and the stunt work is top notch but I did go back and verify that “Skyfall” had not gotten any nominations for screenplay or writing.

    No surprise there.

  12. Dudley Dip. says:

    Thank you. This is a good low hanging fruit tear down of Skyfall. There are more issues. The utilization of the Aston Martin is a huge issue. The cinematography love is just as bandwagonee as the love for the movie itself. In truth both Quantum and Casino look way better and always will thanks to the higher resolution film. How Deakens was convinced to shoot the green screen motorcycles close-ups at the beginning of the film is beyond me.

    I think it is time for me to write my own analysis of this movie.

  13. JD says:

    You left out the fact this film plagiarized so many other spy/action films: The Dark Knight, Mission: Impossible, even Home Alone. The visual table at Mendes uses is ripped off from Chris Nolan’s Inception. It’s like he tried to make Bond the way Nolan would and ends up with a big old mess.

  14. Xophe says:

    And:
    – M took a sniper shot and missed, then watch the bag guy passes under her nose without a move. What about firing the 29 left bullets of her rifle ?
    – The villain attacks Skyfall with an helicopter. He demolishes the house with a big caliber machine gun, then says : “I want him alive !”. Err. But that’s not all : he then throws incendiary grenades into the house… probably to keep him alive ?
    – Bond is in the middle of a frozen river. A guard comes at two inches from him… most stupid guard ever !? When Bond dives into the river with the guard, what does the villain ? He goes away. Sure he’s dead, right ? No need to wait a minute or two just to be sure.
    And the list goes on and on. Almost as stupid as Independance Day.

  15. Bob says:

    Totally agree. Worst and most boring Bond film ever with a complete lack of action. I left the cinema disgusted and felt like I had not watched a James Bond film.

  16. George says:

    I’ve been saying all of this since the movie premiered, but even I had not contemplated just how nonsensical the plot went. Your description is so funny. Had I not seen it, someone could have convinced me it was a parody movie based on your summary.

    I remember a couple of days before the premiere hearing that they had some production crew or writers from The Dark Knight. The director (I think) had said they wanted to emulate the tone Nolan had masterfully created. (I like TDK and all, but damn the reaction was too much- like we needed Xanax to be out in our drinking water).

    ANYWAYS, hearing that ruined the movie for me. Every time they built tension, they did that Batnolan rising tone in the background to make sure we knew it was a dramatic moment- the way they shot the film, the music – hell, even the camera angles used for dialogue.
    And that’s all I could focus on. Never rewatched it, because unlike Casino, early Brosnan and the classic Bonds, the whole impact of the villain’s motivation and ruthlessness become silly.

    Anyways, good article and hilarious summary. I need to stop writing long posts.

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